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Instead, these men argue that excluding gay men of color as potential sexual partners is a “personal preference,” rather than racial exclusion. After examining online personal ads and interviewing gay men, Robinson (2015) found that gay white men often exclude gay men of color as potential sexual partners while denying that their racial preferences are racist in nature. To do so, we bringing together the sexual fields perspective with the growing literature on sexual racism, an act of either sexually excluding non-whites as potential partners or including racial minorities as sexual partners based only on racial fetishes.Īs several scholars have noted, contemporary gay life is marked by high levels of racism directed towards gay men of color by gay white men, with much of the racism manifesting itself as negative sexual attitudes towards, and sexual exclusion or fetishization of, non-white men ( Armstrong 2002 Bérubé 2001 Epstein 1996 McBride 2005 Tenunis, 2007). Specifically, we build on the sexual fields theory by examining one of the ways that larger structural factors, in this case race, may impact the micro interactions found within any given sexual field, demonstrating how sexual fields act as a part of a larger erotic structure that both represents and reproduces racial hierarchies. In this empirical study, we offer an evaluation of the sexual field concept within a particular case by examining the sexual experiences of 35 gay men of color in the Los Angeles area. Given that sexual fields do not actually exist in a vacuum, these constructions of race, ethnicity, age and class are likely to transverse across different sexual fields. Likewise, Whittier and Simon (2001) argue, sexual desires are often influenced by larger social constructions of race, ethnicity, age and class. Yet as Green (2011) also noted, sexual fields are not isolated arenas, but are embedded within a larger society whose values are reflected in what is considered desirable within a given sexual field. More importantly, imagining erotic worlds as independent social arenas rather than a part of a larger organized social system, leads one to believe that they are self-contained erotic marketplaces where those who possess valued traits are on equal footing, regardless of larger structural factors. This lack of attention to the sexual organization of erotic worlds is particularly problematic given that much of an individual’s sexual life occurs within an erotic world that is “consistently patterned within and organized by particular communities, social networks, organizations, and meaning systems” ( Ellingson et al. While a number of different types of sexual fields that can be found in the gay community have been discussed in the academic literature as well as the popular press, there has been less attention paid to the ways that erotic words are socially organized ( Martin and George 2006).
Specifically for gay men, a slim hairless body may provide men who possess those traits with sexual currency at a “Twink bar,” but those same traits would have less currency at a “Leather bar,” where burlier bodies are considered more desirable. They were born in Detroit and raised in Royal Oak.According to Adam Isaiah Green (2008: 25), “modern urban life is increasingly characterized by specialized erotic worlds designed for sexual partnership and sexual sociality.” These erotic worlds, marked by high levels of interpersonal interactions between various actors, where individuals come to seek sexual and social partners, can be considered a “sexual field.” As Green (2011) argues, there are many diverse sexual fields where different constellation of traits comes to be seen as more desirable than other traits. Robb plays Junot in the film, and Ian served as music producer. The cast also includes Detroit natives Robb and Ian Sherman. Their plans for a weekend of fun start off well, relaxed in each other's company as only old friends can be. In "The Skinny," four young, black, gay men - Magnus ( Jussie Smollett), Sebastian (Blake Young-Fountain), Kyle ( Anthony Burrell) and Joey (Jeffrey Bowyer-Chapman) - meet up with their lesbian best friend, Langston (Shanika Warren-Markland) in New York City one year after their graduation from Brown University. Remaining true to his past work, Polk addresses issues in "The Skinny" that face the LGBT community such as date-rape, infidelity and HIV/AIDS awareness. Written with a sense of the demands of urban living, these bright and believable characters will remind you of someone you know. In between sharp one-liners and a great soundtrack there are a few important lessons these pleasure-seekers must learn for themselves. Drinking, drugs, hidden desire and the demands of promiscuity put friendship, trust and even lives at risk.